PDF Download How Not to Get Shot: And Other Advice From White People, by Doug Moe

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How Not to Get Shot: And Other Advice From White People, by Doug Moe

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Review

“A satirical but apt addition to the culture’s fraught conversation about race.” (New York Times Book Review, “New & Noteworthy”)“In his hilarious yet soul-shaking truth-telling book, Hughley touches on politics, race, and life as a black American as only he can.” (Black Enterprise, A “MUST-READ BOOK FOR 2019”)“Hilarious. … It might be the most important book you buy this year.” (Philadelphia Tribune)“Hughley pulls no punches in this caustic, maddening, and hilarious examination of the current state of race relations in the United States.” (Publishers Weekly)“A biting satire about racism. ... A sharp-tongued truth-teller.” (Huffington Post)“Legendary comedian DL Hughley’s provocative commentary on race and police brutality.” (GQ)

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From the Back Cover

The FEARLESS comedy legend—one of the “Original Kings of Comedy”—hilariously BREAKS DOWN the wisdom of white people, advice that has been killing black folks in America for four hundred years and countingIn America, a black man is three times more likely to be killed in encounters with police than a white guy. If only he had complied with the cop, he might be alive today, pundits say in the aftermath of the latest shooting of an unarmed black man. Or, Maybe he shouldn’t have worn that hoodie … or, moved more slowly … not been out so late … Wait, why are black people allowed to drive, anyway? With so much heartfelt guidance flying around, it seems there’s been a failure to communicate.This isn’t a new phenomenon. White people have been giving “advice” for as long as anyone can remember. They’ve been fucking with black folks for about as long, telling them how to pick cotton, where to sit on a bus, what neighborhood to live in, when they can vote, and how to wear our pants. Despite centuries of whites’ advice, it seems black people still aren’t listening, and the results are tragic.Now, at last, activist-comedian D. L. Hughley offers How Not to Get Shot, an illustrated how-to guide for black people, full of insight from white people, translated by one of the funniest black dudes on the planet. In these pages you will learn how to act, dress, speak, walk, and drive in the safest manner possible. You also will finally understand the white mind. It is a book that can save lives. Or at least laugh through the pain.Are you ready to not get shot? Let’s go!

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Product details

Hardcover: 272 pages

Publisher: William Morrow (June 26, 2018)

Language: English

ISBN-10: 0062698540

ISBN-13: 978-0062698544

Product Dimensions:

5.5 x 0.9 x 7.2 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

207 customer reviews

Amazon Best Sellers Rank:

#19,303 in Books (See Top 100 in Books)

This book is a gift to everyone who reads it. It will make you think, it will make you laugh and it will make you talk about race. D.L. is a masterful wordsmith and keeps a perfect balance between satire and the painful truth of rampant racism in our country. I love D.L.'s writing style -- it's like he's sitting right next to you, having a conversation and sharing his provocative insights. This timely book is a perfect catalyst to begin crucial conversations about race and I highly recommend that everyone read "How Not to Get Shot" and start talking. I've bought copies for family, friends, and work colleagues. I strongly encourage you to go out -- right now -- and buy this book and read it.

DL is a genius at using satire to shine a light on an uncomfortable and disturbing reality. Great summertime, or anytime read. His storytelling has me laughing out loud at every turn.

I just started reading this but so far I think the book might make my grandsons see this country a different way. I've already lived this and no matter what anyone says black people will never be free from the lynching

Solid. Got the audiobook, and liked Hughley reading it himself. It added to context, especially as a humor piece. He's a good comedian who takes a subject that's hard to talk about and breaks it down into a digestible, pleasant experience. As a white woman who grew up in a black neighborhood, I highly recommend whites give this title a try if you're looking for some illumination. I hope other whites will find this book good at not making them feel defensive, and that they will listen for "huh, never thought of that," moments. Would buy again, and would recommend to anyone I know.

Love This! Raw, honest and very funny! I read this in three days, between work, spouse and children.

This book is best enjoyed if: A.) You know who D.L. Hughley is. B.) You are familiar with his comedy. C.) You like D.L. Hughley’s comedy. I can check the box for all three.At 260 pages it would seem like this book is long and going to take a while to read. I read it in a day. Firstly, the book is only about 6” X 6”. Secondly, there are large margins on the pages. Thirdly, there are illustrations and pictures that fill pages. Lastly, it is very light and easy reading.D.L., in comedic fashion, lists the various “advice” given by white people over the years that should presumably prevent black people from getting shot by the police. While mentioning the "advice" he pretends to advocate it while also pointing out the hypocrisies and even the near impossibility of adhering to some of this advice and still avoid getting shot. While the majority of the book was steeped in comedy there were many nuggets of truth in there along with actual facts. If you can get past the profanity and the gratuitous use of the N-word it is quite enjoyable. I’m not saying that’s easy for everyone—nor am I saying it should be—but if you want to have a laugh while reading very dire stuff then this is a good book for that.

D. L. Hughley has done it again. A quick reader that will give you insight into current events happening in America while also providing coming relief!

Although written with a lot of humor it also seem to be saying that despite everything you could do you will still get shot following all the guidelines and advice from white people there still is no guarantee that you will not be killed and be at fault for this happening to you

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Free Ebook Raising a Calf for Beef, by Phyllis Hobson

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Raising a Calf for Beef, by Phyllis Hobson

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From the Back Cover

A freezer full of fine beef at half the cost (and much less than that if you raise the hay and grain too)? That's just one of the many rewards of raising your own beef calf! The work involved in the calf's care? About 10 minutes morning and evening and 20 minutes of the weekend for stall cleaning. But it is every day. To raise your own calf you need a simple but snug shelter for the first winter months, a little equipment, a stock of hay and calf starter feed, and later about two acres of land for pasture. Raising a Calf for Beef, delightfully illustrated by Paula Savastano and Cathy Baker, assesses first the pros and cons of raising a beef calf. It tells what's needed, with detailed chapters on: * Housing and pasture * Feeds (milk and calf starter mixtures) * Raising your own feed * Choosing a calf * Veterinarian help * Caring for the newborn calf (what to do everyday) * Weaning your calf * A barn medicine chest * Upsets you can treat and what to watch for * Keeping records * Fattening the calf * Butchering time * Your beef on the table After you've raised your calf to 800 pounds -- or larger if you want -- off he goes for butchering and packaging. For those who want to do this themselves, a special section is included on slaughtering, butchering, and cutting beef for the freezer. Each step is illustrated with special drawings or photographs. It you're interested in raising a beef calf, Phyllis Hobson's clear and unique guide will tell you all you need to know.

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About the Author

The late Phyllis Hobson is the author of several books, including Raising a Calf for Beef and Tan your Hide!

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Product details

Paperback: 128 pages

Publisher: Garden Way Publication; Later Printing edition (January 10, 1976)

Language: English

ISBN-10: 0882660950

ISBN-13: 978-0882660950

Product Dimensions:

6 x 0.4 x 9 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#678,576 in Books (See Top 100 in Books)

This is a good overall book on how to do the calf raising thing. It's an easy read so it's not going to bog you down with oddities. In fact, this might be the kind of thing you end up trying to use out in the field. It's just simple. And isn't that what we need when we're getting started??

Not a cattleman. Good knowledge for me 👍

Good stuff

Good reading for those of us who were not brought up around cattle, helping us understand what is needed in all aspects.

Oh yes Thank You So Much for This Book will Help Us So Much With the Family ❤️🐮🐄🐂🐃❤️

Nice Condition

I has helped me a lot

lots of info for this city girl. it will be many years before I can actually raise my own calf.

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Get Free Ebook Architectural Theory: Volume II - An Anthology from 1871 to 2005

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Review

“An invaluable resource and a great read. The different voices of many generations of modernists come alive in their struggles to shape themselves and their times. Rich, inclusive, and surprising.” Professor Detlef Mertins, Chair of the Architecture Program, University of Pennsylvania. "This book is a collection of extraordinary readings for those with an interest in Architectural Theory. It is a critically conceived resource of great value, an indispensable source to professors and students of architecture and professionals interested in architectural theory." Marco Frascari, Director, Azrieli School of Architecture, Carleton University

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From the Back Cover

This second volume of the landmark Architectural Theory anthology surveys the development of architectural theory from the Franco-Prussian war of 1871 until the end of the twentieth century. Together with volume I, it is the first anthology to follow the full range of architectural literature from its beginnings in classical times to its impact today. Drawing on diverse international texts, this book explores various reform movements in Europe and North America, including Arts & Crafts; spans the technological and conceptual innovations of the late-nineteenth century in connection with the rise and development of modern theory; and reviews early critiques of modernism, the “post-modern” discussions of the 1970s, and post-structural and regionalist thought in the 1980s. The editors also consider the counter-movements of the 1990s – inspired by the digital revolution, technological innovations, and growing concerns for sustainable design. This anthology maps a wide array of debates in architectural history, placing the writings of starchitects like Koolhaas, Eisenman, and Lynn alongside the work of prominent architectural critics. It also sheds new historical perspective on topics such as ecology and sustainability, as well as CAD and blobs. The result is an inspiring and comprehensive resource for those studying or working in architectural theory and art history.

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Product details

Hardcover: 656 pages

Publisher: Wiley-Blackwell; 1 edition (August 11, 2008)

Language: English

ISBN-10: 1405102594

ISBN-13: 978-1405102599

Product Dimensions:

7 x 1.6 x 10 inches

Shipping Weight: 2.8 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#968,523 in Books (See Top 100 in Books)

Excellent overview of architectural thinking in the "Western" world. The edited excepts from treatises makes them very accessible to students and teachers alike. It ends at 2005, however. A newer edition that comes closer to the present would be great. For the reader who wants a truly global treatment of architectural theory this book is very limited, in that regard.

Scholarly reading required by college course

Thank you so much

drop everything you are doing in art class and get this s***. its awesome. I read the whole thing it was fun to read yay!

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PDF Download Fodor's Bali and Lombok, 1st Edition: Where to Stay, Eat, and Explore On and Off the Beaten Path, Smart Travel Tips fr A to Z (Travel Guide)

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From the Inside Flap

at your budget or whether it's your first trip or fifteenth, Fodor's Gold Guides get you where you want to go. In this completely up-to-date guide our experts who live in Bali and Lombok give you the inside track, showing you all the things to see and do -- from must-see sights to off-the-beaten-path adventures, from shopping to outdoor fun. They'll show you hundreds of hotel and restaurant choices in all price ranges -- from budget-friendly B&Bs to luxury hotels, from casual eateries to the hottest new restaurants, complete with thorough reviews showing what makes each place special. The Smart Travel Tips A to Z section helps you take care of the nitty gritty with essential local contacts and great advice -- from how to take your mountain bike with you to what to do in an emergency. Plus, web links, maps, costs, and mix-and-match itineraries make planning a snap."The king of guidebooks."

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Excerpt. © Reprinted by permission. All rights reserved.

Destination: Bali and LombokFrom the air, Bali rises fresh and green from the Indian Ocean, a verdant, glistening butterfly against a backdrop of gray. Just 145 km (90 mi) by 95 km (60 mi) at its widest points and 2[1//2] km (1[1//4] mi) across at its narrowest, the island's lush forests and rice terraces gently rise up to a core of volcanoes whose ashes have rained down on the island over the centuries, making the soil fertile and rich. On a clear day, from the edge of eastern Bali you can see the green hills of Lombok, but the smaller island is far different from its internationally famous sister. Named by the Javanese for the peppers so prevalent in the region's traditional curry sauces, Lombok is a dry, quiet island just 70 km (44 mi) across. At its edges are pristine beaches and killer surfing bays, most of which are as yet undisturbed by tourism.BeachesSouthern Bali lives up to its legend as a tropical paradise, with powder-soft sand and tall coconut trees brushed by soft breezes coming off the jade-and-sapphire sea. These treasures can be found in the secluded resort beaches of Canggu, Berewa, and Jimbaran, as well as on Bukit Badung. The best span with public access runs for about 10 km (6 mi) between Seminyak and Kuta, and all the action is here: sunning, surfing, and the selling of everything from batik sarongs to massage and hair plaiting. Around the Bukit Peninsula, though, down the small back roads, lie hidden coves where your footprints will stand alone on the white sand -- we'll let you find these on your own.Lombok beaches are what postcards are made of. The beaches of the southwest are crescent stretches of white crystal sand. Along the coast near Kuta, the beaches Tanjung A'an and Selong Blanak offer coconut groves, sweeping seascapes, and seclusion. The Gili Islands' beaches are equally picturesque, though more crowded, especially during the summer months; still you can usually find a secluded spot by venturing away from the bungalows that dot the shore. Dining Bali's newest crop of restaurants has expanded the variety of first-class dining opportunities, particularly in southern Bali. You'll find every type of food here, with imported French, Australian, and American chefs heading the kitchens. Gone are the fusions of Asian entr?es flattened into pretty but tasteless gourmet packages. Today's chefs aren't afraid to dazzle diners with new dishes based on traditional recipes or to simply dress up well-known ethnic fare. The Natural World Eastern Bali draws adventurers who want to climb its volcanic peaks, hike in its rain forests, raft its rough rivers, and dive the coral reefs that line its coasts. Rain forest blankets areas all the way to the coast, where drier terrain takes over. Although there are no national parks in this region, there are several notable wildlife havens. The western end of Bali may not have much in the way of cultural performances, nightlife, or shopping, but it's a great place to escape from traffic, hawkers, and other tourists and do some exploring. Much of the region is taken up by the Bali Barat National Park, which offers diving, snorkeling, and trekking -- and a chance to see the rare Bali starling, which scientists are trying to save from extinction in the park's breeding area. Nightlife Bali's best nightspots are all in the south, the traditional gathering place for young and restless travelers. On the southwest coast, Canggu, Kerobokan, and Seminyak are where the rich, refined, and beautiful gather at eclectic bars and ethnic restaurants for quiet drinks, live jazz, and worldly conversations. Legian has become the club town, with discos and after-hours bars that keep night owls going until dawn. Kuta and Tuban reverberate 24 hours with the sounds of pop and heavy metal from big bars and international restaurants where tourists start the day's drinking at noon. Nusa Dua's nightlife is quieter, limited mostly to resort bars and clubs, with a few cocktail spots along Jalan Pantai Mengiat. Sanur's nightlife takes place in hotel and restaurant bars, except for a couple of clubs on Jalan Tamblingan. Shopping High-quality crafts, low prices, and professional shipping services make Bali one of the best places in Indonesia to shop. You'll find the ultimate in open-air market browsing in southern Bali, where traditional Asian-style shopping still thrives. Denpasar is still very much a market town, -- to say nothing of the numerous night markets throughout the city. On Lombok shopping is largely limited to locally made handicrafts, fabrics, and the like, and if that's what you're looking for, you can go right to the source to find skillfully made pieces. Prices are a little lower than they are on Bali. In addition to local baskets, pottery, and textiles, you'll be able to find crafts from islands farther east. You can shop for these things in the bustling city markets, such as the daily market in Cakranegara. Better yet, go to the villages where the crafts are produced; you'll find higher-quality goods and have a chance to see masters at work.

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Product details

Series: Travel Guide (Book 1)

Paperback: 304 pages

Publisher: Fodor's (June 12, 2001)

Language: English

ISBN-10: 067900789X

ISBN-13: 978-0679007890

Product Dimensions:

5 x 0.8 x 9 inches

Shipping Weight: 11.2 ounces

Average Customer Review:

Be the first to review this item

Amazon Best Sellers Rank:

#1,132,862 in Books (See Top 100 in Books)

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File Size: 4901 KB

Print Length: 240 pages

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Publisher: O'Reilly Media; 1 edition (October 20, 2009)

Publication Date: October 20, 2009

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B002VL1CGM

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As someone who speaks and coaches others to speak, Confessions was an especially enjoyable read, affirming some of my anxieties, causing multiple laugh breaks, and conveying some fantastic new tips along the way. Berkun's mix of honesty, practical insight and comedy reminded me a lot of admired productivity coach Stever Robbins, author of Get-It-Done Guy's 9 Steps to Work Less and Do More (Quick & Dirty Tips) -- so if you like Confessions and want to get more done, definitely check out Stever.Cool tips I learned:Tip 1: Use PowerPoint's presenter view (which previews the next slide and your notes, just in case, on your laptop but not the projector screen)Tip 2: Invest in one of those super fancy presentation remotes with the vibrating timer (never pull out your smartphone to check the clock again!) Logitech Professional Presenter R800 with Green Laser PointerTip 3: Your response to mistakes influences the audiences mistakes (so don't freak out, or they'll freak out)Tip 4: Always end early (no one complains when you give time back)Tip 5: A tightly-packed audience will receive your message better than a thinly dispersed audience (so if your crowd is small, ask everyone to come down front)Last, no matter what pressures I face on stage, the story of the guy invited to a conference in the Republic of Georgia, but not told he needed to deliver a complex lecture until he was IN THE ROOM and SURROUNDED BY ANTICIPATING OFFICIALS will always put my public speaking woes in perspective :-) Thanks for the great read, Scott!P.S. Though after reading Confessions (and great public speaking books by Brian Tracy and Carmine Gallo) I may need to change the title, for a really good book on the nuts and bolts of public speaking, primarily for novice and journeymen speakers, consider my The Best Public Speaking Book: How to Conquer Nervousness, Polish Your Authentic Stage Self, Develop & Deliver Dynamite Presentations. Cheers!

Below are key excerpts from the book that I found particularly insightful:1) "Most people listening to presentations around the world right now are hoping their speakers will end soon. That's all they want. They're not judging as much ass you link, because they don't care as much as you think. Knowing this helps enormously. If some disaster happens, something explodes or I trip and fall, I'll have more attention from the audience than I probably had 30 seconds before. And if I don't care that much about my disaster, I can use the attention I've earned and do letting good with it—whatever I say next, they are sure to remember. And if nothing else, my tragedy will give everyone in the audience a funny story to share. The laughter from that story will do more good for the world than anything my presentation,or any other that day, probably would have done anyway."2) "If you'd like to be good at something, the first thing to go out the window is the notion of perfection. Every time I get up to the front of the room, 1 know I will make mistakes. And this is OK. If you examine how we talk to one another every day, including people giving presentations, you'll find that even the best speakers make tons of mistakes...If you listen to Martin Luther King, Malcolm X, or Winston Churchill, and then read the unedited transcripts of those same speeches, you'll find mistakes. However, they're mistakes we commonly ignore because we're incredibly forgiving of spoken language."3) "If anything, making some mistakes or stumbling in a couple of places reminds everyone of how hard it is to stand up at the front of the room in the first place. Mistakes will happen—what matters more is how you frame your mistakes, and there are two ways to do this: I. Avoid the mistake of trying to make no mistakes. You should work hard to know your material, but also know you won't be perfect. This way, you won't be devastated when small things go wrong. 2. Know that your response to a mistake defines the audience's response. If I respond to spilling water on my pants as if it were the sinking of the Titanic, the audience will see it, and me, as a tragedy. But if I'm cool, or better yet, find it funny, the audience will do the same."4) "And it's often the case that the things speakers obsess about are the opposite of what the audience cares about. They want to be entertained. They want to learn. And most of all, they want you to do well. Many mistakes you can make while performing do not prevent those things from happening. It's the mistakes you make before you even say a word that matter more. These include the mistakes of not having an interesting opinion, of not thinking clearly about your points, and of not planning ways to make those points relevant to your audience. Those are the ones that make the difference. If you can figure out how to get those right, not much else will matter."5) "f you pretend to have no fears of public speaking, you deny yourself the natural energy your body is giving you. Anxiety creates a kind of energy you can use, just as excitement does. Ian Tyson, a stand-up comedian and motivational speaker, offered this gem of advice: "The body's reaction to fear and excitement is the same...so it becomes a mental decision: am I afraid or am I excited.^" If the body can't tell the difference, it's up to you to use your instincts to help rather than hurt you. The best way to do this is to plan before you speak. When you are actually giving a presentation, there are many variables out of your control—it's OK and normal to have some fear of them. But in the days or hours beforehand, you can do many things to prepare yourself and take control of the factors you can do something about."6) "When I practice, especially with a draft of new material, I run into many issues. And when I stumble or get confused, I stop and make a choice: Can I make this work if I try it again? Does this slide or the previous one need to change? Can a photograph and a story replace all this text? Is there a better lead-in to this point from the previous point? Will things improve if I just rip this point/slide/idea out completely?"7) "The solution to this, and to many other tough room problems, rests on the density theory of public speaking, a theory I discovered one day after repeating the Dallas experience in some other city, with some other embarrassingly small crowd in a ridiculously large room. I realized that the crowd size is irrelevant what matters is having a dense crowd. If ever you face a sparsely populated audience, do whatever you have to do to get them to move together. You want to create a packed crowd located as close as possible to the front of the room. This goes against most speakers' instincts, which push them to just go on with the show and pretend not to notice it feels like they're speaking at the Greyhound bus station at 3 a.m. on Christmas morning."8) "No matter what kind of speaking you are doing, there are only a few reasons people will be there. As you plan your talk, start with the goal of satisfying the things listed below. People come because they: Want to learn something Wish to be inspired 3- Hope to be entertained 4- Have a need they hope you will satisfy 5. Desire to meet other people interested in the subject 6. Seek a positive experience they can share with others 7- Are forced to be there by their bosses, parents, professors, or spouses 8. Have been handcuffed to their chairs and haven't left the room for days. "9) "To prepare well, you must do four things: Take a strong position in the title. All talks and presentations have a point of view, and you need to know what yours is...Think carefully about your specific audience. Know why they are there, what their needs are, what background knowledge they have, the pet theories they believe in, and how they hope their world will be different after your lecture is over...3. Make your specific points as concise as possible. If it takes 10 minutes to explain what your point is, something is very wrong...4. Know the likely counterarguments from an intelligent, expert audience."10) "I usually present with slides. I love using images and movies to make points, but I never worry that these things won't work. Having thought clearly through my points, even if 1 lose the specific way I had hoped to present them, 1 can still offer them to my audience. If I'm fluent in my research, I can offer those anecdotes naturally. In effect, by working hard on a clear, strong, well-reasoned outline, I've already built three versions of the talk: an elevator pitch (the title), a five-minute version (saying each point and a brief summary), and the full version (with slides, movies, and whatever else strengthens each point)."11) "But there's a solution. The answer to most attention problems is POWER...The setup for public speaking is beyond republican—in the political science sense of the word—it's tyrannical. Only one person is on stage, only one person is given an introductory round of applause, and only one person gets the microphone. If the aliens landed during the TED Conference, they'd obviously assume the guy standing on stage holding the microphone was supreme overlord of the planet. For much of the history of civilization, the only ic speakers were chiefs, kings, and pharaohs. But few speakers use the enormous potential of this power. Most speakers are so afraid to do anything out of the ordinary that they squander the very power the audience hopes they will use."12) "There are three things my brother did that anyone trying to teach must do, and it's no surprise that they're easier to do with a smaller number of students: 1. Make it active and interesting. 2. Start with an insight that interests the student. 3. Adapt to how the student responds to #1 and #2. The bad news: applying these rules always takes more time. The good news: any time at all you spend pays off."13) "Finding and simplifying insights requires humility, something rarely attributed to experts and public speakers. Keep your hard-earned knowledge in mind, but simultaneously remember how it felt to be a complete novice. It's rare to achieve this balance, but it's what makes a teacher great. It turns out, my brother learned to drive stick the difficult, old-school way. Instead of passing on that misery to me, instead of projecting his own suffering onto me as a : of passage all drivers should endure, he chose to convert his misery into my delight. Teaching is a compassionate act. It transforms the confusing into the clear, the bad into the good. When it's done well, and the insights are experienced not just by the teacher but by the students as well, everyone should feel good about what's happened. It's amazing how rare it is from many systems for the experience of learning to be a pleasurable thing."14) "Silence establishes a baseline of energy in the room. Sometimes when a room is silent, people pay more attention than when you are speaking (a fact many don't know since they work so hard to prevent any silence when speaking). If y If you constantly fill the air with sounds, the audience members' ears and minds never get a break."15) "Learning to stop saying "umm" requires only one thing: practice. People who sneak without saying "umm" weren't born that way. They used to do it and have worked their way out of the habit. If you're not sure whether or not you do it, you most likely do. And you're probably in good company. Many famous politicians. celebrities, and executives are hard to listen to because of their annoying filler sounds. It's an easy problem to have, since fixing it is a simple, fail-safe way to make all of your presentations better."16) "Medium list of little things: Umms and uhhs. Distractions and tics. Putting the audience behind you. Repetition. No eye contact. Discomfort. Dispassionate. Referenced data. Inappropriate for this audience."

Interesting read. Personal stories, experiences, and such are ok but never got to an "a-ha" moment. Maybe I've been reading to many Speaker-books. That said, I recommend it because it conveys many real-life moments which are usually training and/or awareness moments. I did read the entire book but must admit I did tip-toe lightly over some parts.

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Listening Length: 6 hours and 3 minutes

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Publisher: Living Language

Audible.com Release Date: November 5, 2009

Language: English

ASIN: B002VSFG3A

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I gave it as a gift to a friend wanting to better her English. She uses it and likes the ease of the material.

This will be difficult for any beginning English speaker to use. The introductory information is spoken rapidly and will not be understood by someone learning the language. The "exercises" only pronunce the words once with little time for the student to repeat the word. I can see lots of students getting frustrated with this program very quickly.

this product is excellent for somebody who knows English but needs help with pronunciation. It is very specific about were to place the tongue to achieve the proper pronunciation.

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I'm a sucker for Romeo and Juliet stories. Specifically, it's the family duty vs. romantic love conflict that's a hook. This also has cultural conflicts, supernatural humans, gorgeous characters, and beautifully drawn pages. The unique colors on the first pages might look best in print, which I'd like to see.Update: After reading this volume several times, I'm bumping up my rating. The details I missed the first time(s) improve the story with every reading.

This is an excellent opening volume! I already wait for the next one! As a clan of werewolves battles the mafia family that seeks revenge on them, two of them unbeknownst to their respective sides fall in love. I'm rooting for the werewolves! Josh and Coyote have a lot of figuring things out to do, but boy do they have some raaaawwr sex :-) Beautifully drawn, handsome hard bodies <3

I had to read this one twice to see if I just missed something. It drew me in with the art and the summary. While the characters are interesting, [SPOILER ALERT] it is the standard, Romeo and Juliet trope . Which, when well written, is good[End Spoiler]. The plot was just weak in this, the focus was almost exclusively on the 'heat' of Coyote. If you are reading this for a sex scenes, it is a good read, it is light enough that you don't need to think too hard about the content.I loved the art, which is what brings it up to a three from a two. Beautifully drawn. This is not something for those who want a cute yaoi story.

Holy mother of Mary! This was absolutely wonderful! Dying for the next volume!

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